Creating Space: Artist MOMO on Trusting the Process, Building Community & Painting Skateboards
- Monica
- 6 days ago
- 4 min read
Updated: 4 days ago
Zurich-based artist MOMO is many things: painter, designer, gallery owner, and passionate community-builder. Though she’s not (yet) a full-time artist, her life is shaped by creativity at every turn. We spoke with her about balancing part-time work with big artistic dreams, running her own gallery space, and why dancing while painting are essential parts of her process.
MOMO, can you tell us about your journey toward becoming a full-time artist?
I'm not a full-time artist just yet. I currently work part-time in digital marketing, content creation, graphic design, and illustration. Shifting to part-time was a big step, it meant letting go of the security of full-time work, which I was used to, and trusting my creative path.
But being a creator in many forms has always felt like my true identity. A few years ago, I made the decision to follow that instinct. It wasn't easy, there was stress, doubt, and not everyone supported it. But I stayed patient and believed in my skills.
My goal is to work solely as an artist, to feel fulfilled and make a living doing what I love. Part of that dream is to have my own art gallery, a space where artists, art lovers, and creative people can connect. A significant long-term goal for my gallery is to be in a position to support and provide exhibition opportunities for urban, street art, and contemporary artists whose work resonates with me.
Zurich’s active art scene has been a big influence on my artistic journey. It’s kept me inspired and connected. My background in design and marketing has also been a huge help, especially with promotion and presentation. So this shift hasn’t been a leap, it’s been a steady, committed journey toward fully living as an artist.
You also run a gallery, which isn’t always typical for an artist. Can you tell us a bit more about your setup?
Yes! The gallery is called THE LAW, short for the local art window. The name also nods to my childhood dream of becoming a divorce lawyer - an ambition that existed alongside my artistic side.
Artists can currently rent the gallery space for exhibitions that run from one to four weeks for solo, duo, or group shows. This rental model is built on mutual trust and connection. I prioritize offering the space to artists whose work I admire and feel connected to. It creates a warm, supportive atmosphere where we can all share ideas, grow, and uplift each other.
I know how many doubts artists can carry, and I want this gallery to help quiet those voices
Alongside the rental exhibitions, I also curate group shows, where I handle all the logistics. The artists simply bring their work and show up to the opening. Everything is ready for them. I want them to feel supported and appreciated, just as I would want to feel in their place.
When the gallery isn’t in use by others, my own work is on display and available for purchase. I’ve invested a lot of time and savings into this space. Ultimately, I want it to be a safe, inspiring place where artists feel motivated, seen, and empowered.
And I've noticed, there's often a doggo running around in the studio?
Yes, that's Logan - he is full of love. Thanks to him, I remember to take painting breaks and stay hydrated. His special trick is interrupting when I’m packing sold pieces, he loves chewing tape or sprawling out on the bubble wrap. I honestly treasure those moments.
What’s something about your practice that surprises people?
It's probably more of an unintentional ritual, but I tend to dance a lot while I'm painting. It makes the entire process much more fun and engaging, even if it means some artworks take a bit longer to complete.
Your work is connected to street art, can you tell us a bit more about that?
Street art is a huge influence on me, even if I wouldn’t label my own work as street art directly. Traveling has made me fall in love with art in public spaces. Meeting some of those artists has been deeply inspiring.
Right now, I’m experimenting with how to bring that raw, playful energy into my own style. I often work with chaotic backgrounds paired with clear, defined elements—layering materials, techniques, and meanings to create something that reflects both freedom and intention.
You’ll be running a “bring your old skateboard” workshop at Basel Art Summer Camp - what can people and artists expect?
I enjoy the process of painting on different surfaces like canvases, wood, and walls, and especially skateboard decks – which, in a way, takes me back. And yes, I do skateboard, though I'm more of a cruiser than a trickster! I put a lot of care into all my work, and my deck art is no exception.
I prepare each one by sanding it, applying a base, painting the design, and then varnishing it to ensure it can be enjoyed for a long time. These are the techniques I'll be sharing during a hands-on workshop at the Basel Art Summer Camp, so if you have an old skateboard lying around, come by! You don't need to be an artist - just bring an open mind and an old skateboard (if you have one).
Want to make your own? Join the workshop led by MOMO:
What else are you looking forward to during the week in Basel?
I’m really looking forward to meeting new artists, reconnecting with familiar faces, and just soaking up the joy of creating together. Sharing ideas, having fun, and being part of that community energy is something I truly value.
And yes - I’m definitely excited about my workshop! I’m sure there are a few folks in Basel who’ll have fun painting and creating with me.
Thank you to MOMO for sharing her story with us. Come say hi to her at this year's Basel Art Summer Camp:
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